Automatic Instrument Recognition with Deep Convolutional Neural Networks

Juan Sebastián Gómez Cañón (Ilmenau, Germany - 2018)

Introduction

In the context of growing digital media and new classification/indexing demands, the task of Automatic Instrument Recognition in the field of Music Information Retrieval (MIR) has increasing importance. Through the use of deep learning techniques, namely convolutional neural networks, and different automatic source separation algorithms, developed at the Fraunhofer Institut für Digitale Medientechnologie (IDMT) [1] [2], this Master thesis investigates this recognition task and how different pre-processing stages can improve its classification performance. Several experiments have been conducted in order to reproduce and improve upon the results of the reference system reported by Han et al. [3] . Two systems are proposed in this research: an improved system using harmonic/percussive separation and post-processing using class-wise thresholding, and a combined system using solo/accompaniment separation and transfer learning methods for the special use case of jazz solo recognition. To validate the obtained results, diverse tests have been performed with multiple music data sets, with different complexities and instrument selections.

References

[1]Estefanía Cano, Mark D. Plumbley, and Christian Dittmar, “Phase-based harmonic/percussive separation,” in Proceedings of the Annual Conference of the International Speech Communication Association (INTERSPEECH), Singapore, 2014, pp. 1628-1632.
[2]Estefanía Cano, Gerald Schuller, and Christian Dittmar, “Pitch-informed solo and accompaniment separation towards its use in music education applications,” EURASIP Journal on Advances in Signal Processing, vol. 2014, pp. 23, 2014.
[3]Yoonchang Han, Jaehun Kim, and Kyogu Lee, “Deep convolutional neural networks for predominant instrument recognition in polyphonic music,” IEEE/ACM Transactions on Audio, Speech, and Language Processing, vol. 25, no. 1, pp. 208-221, Jan 2017.

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